來自天堂的禮物
影片信息
- 狀態(tài)：正片
- 主演：Yuval,Segal,拉米·希爾伯格,莫尼·穆索諾夫,利奧爾·阿什肯納齊,阿尼婭·布克斯坦,Orit,Cher,Ronit,Eitan,Ian,Fisher,Becky,Griffin,Anali,Harpaz,杜瓦·科薩史維利,Anastasia,Kovelenko,Mickey,Leon,Irit,Nathan,Benedek,Alon,Neuman
- 導(dǎo)演：杜瓦·科薩史維利
- 年份：2003
- 地區(qū)：以色列 / 法國
- 類型：倫理/
- 時(shí)長(zhǎng)：內(nèi)詳
- 上映：未知
- 語言：希伯來語 / 格魯吉
- 更新：2025-04-12 16:44
- 簡(jiǎn)介：A colorful extreme display of the Israeli director. Matana MiShamayim is quite different from Kosashvili's "Late Marriage". The primitive traditional family values (Georgian in this case) are brought here some steps beyond to present a comic macabre reality. Women ie. are portrayed in the film as objects to be used in the patriarchal chauvinistic society they live in. They are ... (展開全部) A colorful extreme display of the Israeli director. Matana MiShamayim is quite different from Kosashvili's "Late Marriage". The primitive traditional family values (Georgian in this case) are brought here some steps beyond to present a comic macabre reality. Women ie. are portrayed in the film as objects to be used in the patriarchal chauvinistic society they live in. They are kidnapped, threatened, locked in a closet and often molested in order to channel shame on their husbands. On the other hand, they are always the center of of attention, encompassing every aspect of desire men have, thus they can control and manipulated men, but only to a certain extent - the head of the family (played by the amazing actor Mony Moshonov).
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A colorful extreme display of the Israeli director. Matana MiShamayim is quite different from Kosashvili's "Late Marriage". The primitive traditional family values (Georgian in this case) are brought here some steps beyond to present a comic macabre reality. Women ie. are portrayed in the film as objects to be used in the patriarchal chauvinistic society they live in. They are ... (展開全部) A colorful extreme display of the Israeli director. Matana MiShamayim is quite different from Kosashvili's "Late Marriage". The primitive traditional family values (Georgian in this case) are brought here some steps beyond to present a comic macabre reality. Women ie. are portrayed in the film as objects to be used in the patriarchal chauvinistic society they live in. They are kidnapped, threatened, locked in a closet and often molested in order to channel shame on their husbands. On the other hand, they are always the center of of attention, encompassing every aspect of desire men have, thus they can control and manipulated men, but only to a certain extent - the head of the family (played by the amazing actor Mony Moshonov).
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